It was clearly compiled by someone who has no idea what disco is.
Dual Boxing Programs L2 Pill here.Īs someone who has been spinning disco records (note the word record) for over 35 years I think I can speak with some authority when I say this is the worse 100 Greatest Disco 12″ I have ever seen. Listen to SAM Records - Extended Play - 12' Disco Classics in full in the Spotify app. Listen to SAM Records - Extended Play - 12' Disco Classics now. Sam Records Extended Play Disco Classics music MP3 album at CD Universe, enjoy top rated service and worldwide shipping. Both new and old and and have many of these records, play the hits and the. Muzic Box Classics V3 (Partehardy Records. 1, including 'Let's Lovedance Tonight', 'You Don't Like My Music', 'I Can't Stop', and. Beyond the pulsating hypnosis of those tracks, this collection features work by Greg Carmichael, one of the most visionary and original producers of the era.Listen to songs from the album Disco Classics: Sam Records Extended Play, Vol.
“Ain’t That Enough for You” by John Davis & The Monster Orchestra was the label’s first smash, but it was “Let’s Lovedance Tonight” that became the international best-seller. Sam Weiss started the Long Island City-based label Old Town in the ‘50s, and over the following decades released soul, doo-wop, and gospel 45s.Īs disco took hold of New York in the mid-‘70s, Weiss started his SAM imprint, which released a string of hit singles on the then-emerging twelve-inch format, allowing time for producers to slowly milk the energy and emotion of a track for dance floor denizens. While disco was being subsumed by the industry as a disposable form of radio schlock, Levan was using records like these to advocate a vision of dance music for the future: sophistication and transcendence through everlasting rhythm. Many of these tracks were favorites of Larry Levan, the forward-thinking DJ at New York’s Paradise Garage. Convertion’s “Let’s Do It” is representative of the loose yet unshakably steady groove that was Carmichael’s trademark. Beyond the pulsating hypnosis of those tracks, this collection features work by Greg Carmichael, one of the most visionary and original producers of the era.
As disco took hold of New York in the mid-‘70s, Weiss started his SAM imprint, which released a string of hit singles on the then-emerging twelve-inch format, allowing time for producers to slowly milk the energy and emotion of a track for dance floor denizens. Sam Weiss started the Long Island City-based label Old Town in the ‘50s, and over the following decades released soul, doo-wop, and gospel 45s.
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